Monday, November 30, 2009

Truly Free Film: Jon Reiss on The New Way To Think Of Theatrical

First thing I'm going to do when I get home from work today is watch this video. I hadn't heard of Jon Reiss until about a month ago, when everyone started spreading the gospel of Think Outside The Box Office, his new book. Turns out he had a very sucessful DIY release of his film "Bomb It", which went on to become a big seller for Docurama Films, New Video's independent documentary arm. Another one for the pile!
Truly Free Film: Jon Reiss on The New Way To Think Of Theatrical

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Wednesday, November 18, 2009

The Celluloid Ceiling: Thoughts From Five Women Who Broke Through

Excellent article from IndieWire about female directors. While I don't agree with all the points put forth by the panel (i.e. Finola Dwyer's comments about women and action films), they did confirm my point from my Women And Directing post about the female reaction to the burden of initial commercial success.
The Celluloid Ceiling: Thoughts From Five Women Who Broke Through

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Sunday, November 15, 2009

Dish Network to Pick Up Epix?

Showtime gets rattled by an Epix show of force.
Showtime Rattled By Rival EPIX Arrival

Thursday, November 12, 2009

That's A Kill Shot

Tina Fey might be selling out a bit, but I wouldn't have her sell out any other way...

http://www.apple.com/trailers/fox/datenight/medium.html

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The Problem with Microbudget Filmmaking is...

...how do you adequately compensate your crew? Recently I've been learning a lot about the guilds and how their different tiers of wages help their members to make a living and to receive health care for themselves and their families. With a non-union microbudget shoot, how is my grip or best boy going to be able to afford to pay for his kid's medical bills? The obvious answer is that he should probably look for a better budgeted job. But with the current shifts in the industry marketplace razing cushy straight-to-dvd productions and causing indies to shutter their doors and majors to slash the number of films shot per year, that might be easier said then done.

Lately I think that there's been entirely too much praise bestowed upon filmmakers in their race to the bottom. While I've seen beautiful features produced for only $15-$20K, I can't help thinking about all the technical people who sacrificed a living wage only to reap nothing in return. How can these folks pay for health insurance, let alone rent, when they're only making $200/day, and have to hide their guild membership to prevent getting punished or kicked out for taking on these labors of love?

I'd love to hear about more filmmakers sharing the rewards from their films with their whole crews, from drivers to PAs to production designers and DPs. Filmmaking is both an artistic and business pursuit. I hope directors and producers continue to fight, beg and bleed for art and for adequate financing.

Sunday, November 8, 2009

Google Video: La Jetee: Inspiration for 12 Monkeys

Haven't yet watched this, but considering 12 Monkeys is one of my top ten favorite movies, I figured it was about time I sit down and give this film the attention it deserves.

Interesting chart of newspaper circulation over the past twenty years

Practicing posting w/Posterous

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Friday, November 6, 2009

Epix Invite

So this morning I found an invitation for a 72hour weekend pass for EPIX HD waiting in my inbox. EpixHD.com is an offshoot of the recently launched Epix TV channel, a 24 hour on demand channel available only to Verizon FiOS subscribers (for an added charge of $10/month) that allows subscribers to stream an unlimited amount of movies. The service is brought to you by movie studios Lionsgate, Paramount, and MGM, and has been described as the film equivalent to Hulu. Where Epix differs from Hulu is that its bundled into the cable package, giving it the added benefit of FiOS broadband connection and the ability to successfully stream full-length movies. According to Ars Technica:
"The video is offered through Flash and is multi-bitrate enabled; the player checks the available bandwidth every ten seconds to see if a larger or smaller stream is required. Epix currently creates six different encodings of each film which range from full HD support all the way down to 500Kbps (cell phone quality). Pushing out that sort of data is bandwidth-intensive, and Epix would love to avoid streaming HD content across the public Internet wherever possible. One way to make that happen, which the company is currently pursuing, is to install caching servers directly in the data centers of ISPs with whom Epix has a relationship. "
As a Time Warner subscriber (still waiting on that TV Everywhere...) I won't be able to take advantage of EpixHD after this weekend, but I'm intrigued to see if their claims of HD quality and uninterrupted streaming are true. Jason Bergman brings up some good points in his "Epix Fail" article, but I'm interested in seeing for myself. I don't think the idea of a subscription service is bad, as along as it allows for tiered pricing, strong support, and an attractive interface. One of the things that EpixHD is offering is an online screening room feature which enables consumers to invite up to four friends anywhere to watch movies while they chat online in real time. These friends don't have to be Verizon or Epix subscribers, which I think is just the sort of unique cable concession that could make Epix a success. It will be interesting to see if EpixHD catches on in the next few months and convinces other telco subscribers to pick it up. I don't know enough about this stuff to know what the downsides are to Time Warner Cable, Cox Communications, Cable One, Charter Communications, AT&T U-Verse, and Dish Network carrying the channel. But if Epix isn't able to make carriage deals with any other providers, it won't matter how much content they have on their site--only 2.5 million people will be able to watch it (less, considering many will balk at the $10/month price tag).